I am compelled to begin everything I say with: So,
So, having recently watched both Minority Report and The Island, I've been thinking a lot about the near-future utopia that we must certainly be heading towards. Both movies have that "dark side of science" narrative that imagine the most incredibly spectacular futures--where everything is see-through and sleek-- and then try to tear it down because of one glaring social injustice. That "be careful what you wish for" idea. Fuck that. That sits so poorly for so many reasons.
First of all, we should only be so lucky if shit1 turned out like that. If you argue against that you are nuts. Ok, so we've got a little body harvesting going on. But we've also managed personal jet-packs and cars that drive themselves. A trade-off in my opinion. Things generally look futuristic and cool, as if at some point down the line we decided that all shitty stucco Qdoba's and family dentistry places should be bulldozed in favor of new tall, ovular, buildings with glowing laser strips on them.2 And then with Minority Report, are you serious. The guy has to be the fucking head of the entire program to concoct an ingenious plan to fool the system, which otherwise is totally fool proof. I admit that its a scary reality, but things seem generally on the up.
Second, not only is it too good for us, it could simply never happen. And not like the psychic parts of Minority Report. Specifically, the question that these movies always make me ask is, "what the hell do these people do for a living?" I guess this is not a totally valid criticism, since I'm sure a cobbler or like a book scribe would be totally fascinated by the future-ness of computer programmers. But what about all the jobs we seem to lose in these futures. Invariably, anything manufactured is made by robots, typically very aggressive, automated robots that use cut-a-man-in-half lasers to apply the buttons or snaps to the ______ that they are assembling. We still have jobs like police officer, and doctor, and hotel manager3. But presumably things like auto mechanic, baker, and accountant would be replaced by robots, too. Really, you are hard pressed to find things that robots couldn't do better. Thats the trouble with robots.
And then, these movies always show such specific cross-sections of society. They never mention what the rest of the world is doing. It seems so cool in LA, but there is no mention of how things are going in say,
Mexico.
But, what difference does it make if they can't happen? They are just movies. Aren't you in the least curious as to where this is all going? We've got all these speculations, and in the past they have been so right4, so why can't we expect the same from our current media. I read this thing by a science fiction writer that said writing believable near-term science fiction is basically impossible right now, on account of how fucked up everything is. I'll try to find it, its interesting.
I can't bear to write any more because I feel stupid, but expect a continuation in the form of how awesome Back to the Future5 is, soon.
1. By shit, of course, I mean the collective progress of society.
2. "It's the future, where the fuck are my lasers, Pendleton?"
3. Hotels in the future are always terrible, and are very much like hotels of the present as far as progress goes. On the invention of ovular buildings, the only residents that remained in hotels unanimously agreed to smoke in rooms, leave crumpled cans in corners, and redecorate with dying fluorescent bulbs.
4. science fiction
5. Why must an '80s movie be directed by fucking John Hughes for it to be considered one of those quintessential "80s movies"? Back to the Future is never included, and the whole franchise wipes the floor with those sob stories.